Responsibilities include recording, editing, and mastering events, performances, installations and productions into final documentation form. Maintain, repair, or research and recommend equipment to support technical parameters necessary for specific projects.
EMPAC has been approved for a $25,000 Art Works grant from the NEA to support the commissioning and development of new time-based art works this year.
The position will be engaged in avant-garde artistic development and productions reaching beyond traditional aesthetics and will be responsible for lighting aspects in four performance venues.
EMPAC is pleased to join a consortium of art institutions from across the United States that will mount a nationwide season of programming informed by feminist thought and practice. Beatriz Santiago Muñoz's moving-image work will premiere in 2020 as part of the nationwide season of programming.
As an interdisciplinary arts center committed to the development of cross-genre performances and research, we talk a lot about the ways that sounds, images, and movements come together in shared space. But there’s another element mixed into EMPAC artistic productions, sometimes driving the work from the very beginning, sometimes following near the very end, when the technical pieces have fallen into place and the collaborators start to understand what it’s about.
The Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, Troy, NY, invites applications for the position of Manager, Marketing and Communications. EMPAC offers advanced facilities and resources for media and the arts in production, performance, and research. The program ranges from initializing new artistic productions through commissions and extended residencies to supporting science and engineering in the creation of immersive and interactive environments.
EMPAC’s curatorial program commissions and develops new works year around, many of which are premiered here during the Spring and Fall seasons that coincide with Rensselaer’s academic calendar. This summer, a diverse lineup of international artists will be working on a range of new productions, many of which will find their premiere here in the coming seasons.
EMPAC is pleased to announce the hiring of Dr. Anne Leilehua Lanzilotti as the center’s new Curator of Music. An experienced curator as well as a highly accomplished violist, composer, scholar, and educator, Lanzilotti will begin her tenure at EMPAC starting in Fall 2019. At EMPAC she will be developing the music residencies and commissions as well as performances and events in continuation of EMPAC’s artistic directions and with her own perspectives.
On October 3, 2008, Rensselaer opened a bold new chapter in its legacy as the nation’s oldest technological research university. With the Curtis R. Priem Experimental Media and Performing Arts Center, the institute had not only designed and constructed the most technologically advanced performing arts center in the country, but had initialized a radical new program integrating the methods and mindset of art, science, and engineering, laying the foundation for a new paradigm in cross-disciplinary exploration and education.
Artist Wu Tsang has been named a 2018 recipient of the MacArthur Foundation Fellowship. Working in residence at the Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute since 2016, the “Genius Grant” honoree will premiere a new collaborative performance work, Sudden Rise, at EMPAC 10YEARS on October 13.
The Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute in Troy, New York is where the arts, sciences, and technology meet under one roof.
Over the course of three days, and across EMPAC’s four main venues and public spaces, the 10YEARS celebration will mark a decade since the building's opening in 2008 by presenting a diverse offering of cross-disciplinary performances spanning music, dance, theater, film, and many experiential spaces in between.
At EMPAC, everything we create is “time-based.” From concerts to dance performances to film screenings and theater, the artworks this season are each a carefully considered play of sight, sound, and movement: experiences that only exist in the span of time given for you to take them in but might dwell within you for hours or days after they end.