Tony Cokes makes video, installation, print, sound, and other works that reframe appropriated texts to reflect upon capitalism, subjectivity, knowledge, and pleasure. Cokes deploys sound as a crucial, intertextual element, complicating minimal visuals. He has shown works internationally at venues including Tate Modern, and CCA Goldsmiths, London; Centre Georges Pompidou, Paris; Museum of Modern Art, and Whitney Museum, New York; ZKM, Karlsruhe; REDCAT, and Hammer Museum, Los Angeles; Museu d’Art Contemporani de Barcelona; Schinkel Pavillion, Berlin; ICA, Philadelphia; Stedelijk Museum, Amsterdam; MMK Frankfurt; and La Cinémathèque Française. Cokes has screened works in festivals including the Berlin Biennale X; RuhrTriennale 2019, Essen; Rotterdam International Film Festival; Rencontres Internationales Paris/Berlin/Madrid; and the Oberhausen Short Film Festival. He is a Professor in the Department of Modern Culture and Media at Brown University, Providence,RI. His work is represented by Greene Naftali, New York, Hannah Hoffman, Los Angeles, and Electronic Arts Intermix (EAI), New York.